Karmina is a text typeface created by José Scaglione and Veronika Burian mainly for pocket books and budget editions. It was built to withstand the worst printing conditions: low quality papers, high printing speed...
One of the most remarkable characteristic of this humanistic sans serif is its versatility. Ronnia’s personality performs admirably in headlines, but is diffident enough for continuous text and small text alike. The heavier weights...
The Bree font family is a spry sans serif by Veronika Burian and José Scaglione that delivers a spirited look and feel for branding and headline usage. As an upright italic, Bree shows a...
Originally inspired by wall lettering in a small Grecian chapel, the Crete typeface by Veronika Burian was adjusted considerably to work in text. It is perfect for display use where an unconventional and delightful...
Karmina Sans was developed by Veronika Burian and José Scaglione as a large type family with its own features and personality, able to perform alongside its serifed cousin, Karmina. Karmina Sans shares the same...
Inspired by Britain’s classic literature and created by Veronika Burian and José Scaglione, Athelas prioritises the beauty of fine book printing. It takes full advantage of typographic tranquility — the white space in the...
Inspired by early Czech type design, Veronika Burian’s Maiola is a contemporary typeface that is mindful of its heritage. Maiola creates a welcoming tension on the page by implementing oldstyle features and calligraphic reminiscences...
While Adelle is a slab serif typeface conceived by Veronika Burian and José Scaglione specifically for intensive editorial use, mainly in newspapers, magazines, and online, its personality and flexibility make it a true multipurpose...
Conceived specifically for intensive editorial use, whether it is in newspapers, magazines or digital media, Abril is a font family of two worlds. The titling weights, based on a contemporary revamp of classic Didone...
Abril is an extension of the Abril typographic system that was engineered as a response to a very specific requirement from the editorial design community: a low contrast typeface for head- lines. Given its...
