Author: staff

Capitolium 2 0

Capitolium 2

Capitolium was designed in 1998 at the request of the Agenzia romana per la preparatione del Giubileo for the Jubilee of the Roman Catholic Church in 2000. This type design was the central part...

Pollen 0

Pollen

This typeface finds a perfect balance between technical excellence, careful design of letter forms for extended reading, and a measured dose of charm and personality. Its informal feel allows for successfully typesetting a wide...

Soleil 0

Soleil

Soleil, designed by Wolfgang Homola, is a geometric sans serif typeface. Unlike most existing geometric sans serif typefaces, it has asymmetrical counters, making it look fresher, more dynamic and more contemporary. Simple geometric forms...

Abril Titling 0

Abril Titling

Abril is an extension of the Abril typographic system that was engineered as a response to a very specific requirement from the editorial design community: a low contrast typeface for head- lines. Given its...

Iskra 0

Iskra

A practical sans serif need not appear dry, constructed, or derivative. It can excel in its sensible role and yet possess a distinct flair. Iskra (spark or flash) is a new sans serif designed...

Alverata PanEuropean 0

Alverata PanEuropean

Gerard Unger’s new typeface Alverata is a twenty-first-century type-face inspired by the shapes of Romanesque capitals in inscriptions of the eleventh and twelfth centuries, without being a close imitation of them. It is additionally...

Tablet Gothic 0

Tablet Gothic

Graphic designers know well that the art of composing titles correctly is not easy, especially when it comes to publications needing both flexibility and graphic coherence when dealing with dense amounts of information. Tablet...

Adelle Sans 0

Adelle Sans

The Adelle Sans font family by José Scaglione and Veronika Burian provides a more clean and spirited take on the traditional grotesque sans. As is typical with TypeTogether typefaces, the most demanding editorial design...

Eskapade 0

Eskapade

The Eskapade font family is the result of Alisa Nowak’s research into Roman and German blackletter forms, mainly Fraktur letters. The idea was to adapt these broken forms into a contemporary family instead of...

Ebony 0

Ebony

Some typefaces need time to ripen; Burian and Scaglione made the first sketches for Ebony back in 2008, but it took a few years of maturing in a drawer to be developed into a...